Join The Dots by Sub Focus cover art

Join The Dots

Sub Focus

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
93/100
Pop
0/100
Length
4:47
Released
2008
Album
Timewarp
Genre
Drum N Bass
Label
RAM Records
Loudness
-7.5 dB
Dynamics
13.0 dB
ISRC
GBBZH0807102

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 174 BPM in B♭ minor (3A), Join The Dots is a drum n bass production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2008 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood20Dark
Groove45
Acoustic0
Instrumental85
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Join The Dots in?

Join The Dots by Sub Focus is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Join The Dots?

Join The Dots runs at 174 BPM.

What mixes well with Join The Dots?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Join The Dots good for peak time?

With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

More drum n bass

#Track

More from Sub Focus

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track