Waiting by Sub Focus cover art

Waiting

Sub Focus

30s preview

Key
8A · A minor
BPM
174
Half-time
87
Open Key
1m
Energy
88/100
Pop
26/100
Length
3:52
Released
2023
Genre
Drum N Bass
Label
EMI
Loudness
-3.2 dB
Dynamics
14.2 dB
ISRC
GBUM72301972

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 174 BPM in A minor (8A), Waiting is a drum n bass production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Darker than 94% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood4Dark
Groove52
Acoustic3
Instrumental6
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Waiting in?

Waiting by Sub Focus is in A minor, or 8A on the Camelot wheel.

What BPM is Waiting?

Waiting runs at 174 BPM.

What mixes well with Waiting?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Waiting good for peak time?

With energy 88 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 174 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

More drum n bass

More from Sub Focus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track