
Endorphins - Sub Focus Vs. Fred V & Grafix Remix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 4:35
- Released
- 2013
- Album
- Endorphins
- Genre
- Drum N Bass
- Label
- RAM Records
- Loudness
- -5.1 dB
- Dynamics
- 11.6 dB
- ISRC
- GBUM71302493
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Endorphinsoriginal10A · 140
- Endorphins - Dismantle Remixremix10A · 140
- Endorphins - Tommy Trash Remixremix10A · 129
Against the original (10A at 140 BPM), this version runs 34 BPM faster in the same key.
A drum n bass cut, Endorphins - Sub Focus Vs. Fred V & Grafix Remix sits in B minor (10A) at 174 BPM. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More treble-tilted than 88% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 75% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Endorphins - Sub Focus Vs. Fred V & Grafix Remix in?
Endorphins - Sub Focus Vs. Fred V & Grafix Remix by Sub Focus is in B minor, or 10A on the Camelot wheel.
What BPM is Endorphins - Sub Focus Vs. Fred V & Grafix Remix?
Endorphins - Sub Focus Vs. Fred V & Grafix Remix runs at 174 BPM.
What mixes well with Endorphins - Sub Focus Vs. Fred V & Grafix Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Endorphins - Sub Focus Vs. Fred V & Grafix Remix good for peak time?
With energy 85 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.