Endorphins - Sub Focus Vs. Fred V & Grafix Remix by Sub Focus cover art

Endorphins - Sub Focus Vs. Fred V & Grafix Remix

Sub Focus

30s preview

Key
10A · B minor
BPM
174
Half-time
87
Open Key
3m
Energy
85/100
Pop
1/100
Length
4:35
Released
2013
Album
Endorphins
Genre
Drum N Bass
Label
RAM Records
Loudness
-5.1 dB
Dynamics
11.6 dB
ISRC
GBUM71302493

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 140 BPM), this version runs 34 BPM faster in the same key.

A drum n bass cut, Endorphins - Sub Focus Vs. Fred V & Grafix Remix sits in B minor (10A) at 174 BPM. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More treble-tilted than 88% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 75% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood13Dark
Groove47
Acoustic0
Instrumental0
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Endorphins - Sub Focus Vs. Fred V & Grafix Remix in?

Endorphins - Sub Focus Vs. Fred V & Grafix Remix by Sub Focus is in B minor, or 10A on the Camelot wheel.

What BPM is Endorphins - Sub Focus Vs. Fred V & Grafix Remix?

Endorphins - Sub Focus Vs. Fred V & Grafix Remix runs at 174 BPM.

What mixes well with Endorphins - Sub Focus Vs. Fred V & Grafix Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Endorphins - Sub Focus Vs. Fred V & Grafix Remix good for peak time?

With energy 85 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

More drum n bass

More from Sub Focus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track