Endorphins - Tommy Trash Remix
30s preview
- BPM
- 129
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2013
- Album
- Endorphins
- Genre
- Drum N Bass
- Label
- RAM Records
- Loudness
- -3.9 dB
- Dynamics
- 14.4 dB
- ISRC
- GBUM71302483
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Endorphins - Sub Focus Vs. Fred V & Grafix Remixremix10A · 174
- Endorphinsoriginal10A · 140
- Endorphins - Dismantle Remixremix10A · 140
Against the original (10A at 140 BPM), this version runs 11 BPM slower in the same key.
Endorphins - Tommy Trash Remix runs 129 BPM in B minor (10A), a peak-time tempo drum n bass record. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue.
- Low end:
- more treble-tilted than 99% of Sub Focus's catalogue
- Groove:
- groovier than 95% of Sub Focus's catalogue
- Tempo:
- slower than 86% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Endorphins - Tommy Trash Remix in?
Endorphins - Tommy Trash Remix by Sub Focus is in B minor, or 10A on the Camelot wheel.
What BPM is Endorphins - Tommy Trash Remix?
Endorphins - Tommy Trash Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Endorphins - Tommy Trash Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Endorphins - Tommy Trash Remix good for peak time?
With energy 94 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Niton [The Reason] - Extended Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 10A at 129 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More drum n bass
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
