A Drug From God
30s preview
- BPM
- 129
- Open Key
- 9d
- Energy
- 89/100
- Pop
- 26/100
- Length
- 5:28
- Released
- 2021
- Genre
- House
- Loudness
- -7.5 dB
- Dynamics
- 15.1 dB
- ISRC
- USUG12200846
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Drug From Godoriginal11B · 126
- A Drug From Godoriginal11B · 126
- A Drug From God (Rebūke Remix)remix10A · 128
A Drug From God runs 129 BPM in A♭ major (4B), a peak-time tempo house record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 88% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 84% of Chris Lake's catalogue
- Brightness:
- darker than 84% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is A Drug From God in?
A Drug From God by Chris Lake is in A♭ major, or 4B on the Camelot wheel.
What BPM is A Drug From God?
A Drug From God runs at 129 BPM, a peak-time tempo track.
What mixes well with A Drug From God?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is A Drug From God good for peak time?
With energy 89 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 129 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
