Music Is the Answer - Future Shock Remix by Danny Tenaglia cover art

Music Is the Answer - Future Shock Remix

Danny Tenaglia

30s preview

Key
3B · D♭ major
BPM
129
Open Key
8d
Energy
93/100
Pop
1/100
Length
8:30
Released
2008
Album
Music Is the Answer (Part 1)
Genre
Progressive House
Label
Twisted America Records
Loudness
-5.8 dB
Dynamics
14.4 dB
ISRC
USTWR0800090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 125 BPM), this version runs 4 BPM faster and moves the key from 11A to 3B.

Music Is the Answer - Future Shock Remix: peak-time tempo progressive house, D♭ major (3B), 129 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. Faster than 88% of Danny Tenaglia's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 87% of Danny Tenaglia's catalogue
Low end:
more treble-tilted than 83% of Danny Tenaglia's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood36Balanced
Groove79
Acoustic4
Instrumental6
Live7
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Music Is the Answer - Future Shock Remix in?

Music Is the Answer - Future Shock Remix by Danny Tenaglia is in D♭ major, or 3B on the Camelot wheel.

What BPM is Music Is the Answer - Future Shock Remix?

Music Is the Answer - Future Shock Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with Music Is the Answer - Future Shock Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Music Is the Answer - Future Shock Remix good for peak time?

With energy 93 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 129 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

More progressive house

More from Danny Tenaglia

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track