Off to Space by Sidney Charles cover art

Off to Space

Sidney Charles

30s preview

Key
1A · A♭ minor
BPM
129
Open Key
6m
Energy
94/100
Pop
12/100
Length
4:02
Released
2023
Genre
Tech House
Loudness
-9.0 dB
Dynamics
12.4 dB
ISRC
GBKQU2309078

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Off to Space runs 129 BPM in A♭ minor (1A), a peak-time tempo tech house record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 94% of Sidney Charles's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 82% of Sidney Charles's catalogue
Energy:
hotter than 78% of Sidney Charles's catalogue
Reach:
better known than 78% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood24Dark
Groove72
Acoustic1
Instrumental83
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Off to Space in?

Off to Space by Sidney Charles is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Off to Space?

Off to Space runs at 129 BPM, a peak-time tempo track.

What mixes well with Off to Space?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Off to Space good for peak time?

With energy 94 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 129 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

More tech house

More from Sidney Charles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track