Dancefloor Equality
30s preview
- Key
- 8B · C major
- BPM
- 129
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 17/100
- Length
- 4:20
- Released
- 2023
- Genre
- Tech House
- Loudness
- -9.1 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU2309077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dancefloor Equality: peak-time tempo tech house, C major (8B), 129 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 86% of Sidney Charles's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 83% of Sidney Charles's catalogue
- Brightness:
- brighter than 76% of Sidney Charles's catalogue
- Tempo:
- faster than 75% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Dancefloor Equality in?
Dancefloor Equality by Sidney Charles is in C major, or 8B on the Camelot wheel.
What BPM is Dancefloor Equality?
Dancefloor Equality runs at 129 BPM, a peak-time tempo track.
What mixes well with Dancefloor Equality?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Dancefloor Equality good for peak time?
With energy 93 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 129 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![1+1 [Album Mix] by Coyu cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bcadf979b8ac5953c4f7.webp){kind=small}
