Get Ready by Eddy M cover art

Get Ready

Eddy M

30s preview

Key
8A · A minor
BPM
129
Open Key
1m
Energy
95/100
Pop
3/100
Length
5:57
Released
2022
Album
Keep Trying
Genre
Tech House
Loudness
-9.2 dB
Dynamics
18.3 dB
ISRC
DEH742218061

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Get Ready runs 129 BPM in A minor (8A), a peak-time tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Brighter than 99% of Eddy M's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 88% of Eddy M's catalogue
Energy:
hotter than 79% of Eddy M's catalogue
Groove:
less groove-driven than 76% of Eddy M's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood97Bright
Groove80
Acoustic0
Instrumental91
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Get Ready in?

Get Ready by Eddy M is in A minor, or 8A on the Camelot wheel.

What BPM is Get Ready?

Get Ready runs at 129 BPM, a peak-time tempo track.

What mixes well with Get Ready?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Get Ready good for peak time?

With energy 95 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 129 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More tech house

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track