Mad Motion
- BPM
- 129
- Open Key
- 3d
- Energy
- 97/100
- Pop
- 34/100
- Length
- 2:41
- Released
- 2024
- Genre
- Tech House
- Loudness
- -5.6 dB
- ISRC
- NLF712407305
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in D major (10B), Mad Motion is a peak-time tempo tech house production. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 93% of Patrick Topping's catalogue.
- Brightness:
- brighter than 82% of Patrick Topping's catalogue
- Energy:
- hotter than 76% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Mad Motion in?
Mad Motion by Patrick Topping is in D major, or 10B on the Camelot wheel.
What BPM is Mad Motion?
Mad Motion runs at 129 BPM, a peak-time tempo track.
What mixes well with Mad Motion?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Mad Motion good for peak time?
With energy 97 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 129 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
