Forget
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 89/100
- Pop
- 28/100
- Length
- 3:43
- Released
- 2014
- Genre
- Tech House
- Loudness
- -6.8 dB
- Dynamics
- 12.3 dB
- ISRC
- GBK6Y1345001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forget - Original Mixoriginal8B · 123
- Forget - Original Mixoriginal8B · 123
Forget: club-tempo tech house, C major (8B), 123 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Slower than 94% of Patrick Topping's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 89% of Patrick Topping's catalogue
- Brightness:
- brighter than 80% of Patrick Topping's catalogue
- Groove:
- groovier than 76% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Forget in?
Forget by Patrick Topping is in C major, or 8B on the Camelot wheel.
What BPM is Forget?
Forget runs at 123 BPM, a club-tempo track.
What mixes well with Forget?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Forget good for peak time?
With energy 89 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
