Absynth - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 2/100
- Length
- 6:50
- Released
- 2012
- Album
- Absynth EP
- Genre
- Tech House
- Loudness
- -10.0 dB
- Dynamics
- 14.2 dB
- ISRC
- GBT9R1200060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Absynth - Original Mix runs 123 BPM in F minor (4A), a club-tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Slower than 87% of Archie Hamilton's catalogue.
- Low end:
- more treble-tilted than 84% of Archie Hamilton's catalogue
- Energy:
- hotter than 81% of Archie Hamilton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Absynth - Original Mix in?
Absynth - Original Mix by Archie Hamilton is in F minor, or 4A on the Camelot wheel.
What BPM is Absynth - Original Mix?
Absynth - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Absynth - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Absynth - Original Mix good for peak time?
With energy 88 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Archie Hamilton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
