Skyward - Radio Edit
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 3:59
- Released
- 2018
- Album
- Skyward
- Genre
- Tech House
- Loudness
- -6.2 dB
- Dynamics
- 9.2 dB
- ISRC
- GBHAD1800966
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Skywardoriginal3B · 123
Against the original (3B at 123 BPM), this version holds the same tempo and moves the key from 3B to 3A.
A club-tempo tech house cut, Skyward - Radio Edit sits in B♭ minor (3A) at 123 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Habischman's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 93% of Habischman's catalogue
- Energy:
- hotter than 83% of Habischman's catalogue
- Low end:
- more treble-tilted than 83% of Habischman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Skyward - Radio Edit in?
Skyward - Radio Edit by Habischman is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Skyward - Radio Edit?
Skyward - Radio Edit runs at 123 BPM, a club-tempo track.
What mixes well with Skyward - Radio Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Skyward - Radio Edit good for peak time?
With energy 88 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Habischman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
