Pulverturm - Lars Moston Remix by Julian Wassermann cover art

Pulverturm - Lars Moston Remix

Julian Wassermann

30s preview

Key
1A · A♭ minor
BPM
123
Open Key
6m
Energy
90/100
Pop
0/100
Length
6:58
Released
2016
Album
Pulverturm
Genre
Techno
Loudness
-8.8 dB
Dynamics
12.5 dB
ISRC
DETB31674012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 123 BPM), this version holds the same tempo and moves the key from 11A to 1A.

Pulverturm - Lars Moston Remix: club-tempo techno, A♭ minor (1A), 123 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Brighter than 99% of Julian Wassermann's catalogue. In a set it works best as a floor-filler.

Reach:
more underground than 99% of Julian Wassermann's catalogue
Energy:
hotter than 84% of Julian Wassermann's catalogue
Tempo:
slower than 84% of Julian Wassermann's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood90Bright
Groove81
Acoustic0
Instrumental82
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Pulverturm - Lars Moston Remix in?

Pulverturm - Lars Moston Remix by Julian Wassermann is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Pulverturm - Lars Moston Remix?

Pulverturm - Lars Moston Remix runs at 123 BPM, a club-tempo track.

What mixes well with Pulverturm - Lars Moston Remix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Pulverturm - Lars Moston Remix good for peak time?

With energy 90 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More techno

More from Julian Wassermann

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track