Caught Slippin' - Tilman's Mood Mix
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 90/100
- Pop
- 1/100
- Length
- 6:00
- Released
- 2022
- Album
- Caught Slippin' (Tilman's Mood Mix)
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 12.6 dB
- ISRC
- DECY52200559
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in F♯ minor (11A), Caught Slippin' - Tilman's Mood Mix is a club-tempo house production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 98% of Tilman's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 87% of Tilman's catalogue
- Energy:
- hotter than 84% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Caught Slippin' - Tilman's Mood Mix in?
Caught Slippin' - Tilman's Mood Mix by Tilman is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Caught Slippin' - Tilman's Mood Mix?
Caught Slippin' - Tilman's Mood Mix runs at 123 BPM, a club-tempo track.
What mixes well with Caught Slippin' - Tilman's Mood Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Caught Slippin' - Tilman's Mood Mix good for peak time?
With energy 90 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
