Psyjack - Original Mix by Sidney Charles cover art

Psyjack - Original Mix

Sidney Charles

Key
10A · B minor
BPM
123
Open Key
3m
Energy
90/100
Pop
0/100
Length
6:46
Released
2015
Album
House Lessons
Genre
Tech House
Loudness
-5.7 dB
ISRC
QMSNZ1500571

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 123 BPM in B minor (10A), Psyjack - Original Mix is a club-tempo tech house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Sidney Charles's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 93% of Sidney Charles's catalogue
Brightness:
brighter than 90% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood79Bright
Groove80
Acoustic7
Instrumental90
Live20
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Psyjack - Original Mix in?

Psyjack - Original Mix by Sidney Charles is in B minor, or 10A on the Camelot wheel.

What BPM is Psyjack - Original Mix?

Psyjack - Original Mix runs at 123 BPM, a club-tempo track.

What mixes well with Psyjack - Original Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Psyjack - Original Mix good for peak time?

With energy 90 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Sidney Charles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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