The Limit
- Key
- 9A · E minor
- BPM
- 129
- Open Key
- 2m
- Energy
- 95/100
- Pop
- 19/100
- Length
- 3:50
- Released
- 2024
- Genre
- Tech House
- Loudness
- -5.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Limit: peak-time tempo tech house, E minor (9A), 129 BPM. The feel is dark and driving. It is vocal-led. Less groove-driven than 93% of Patrick Topping's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 80% of Patrick Topping's catalogue
- Reach:
- better known than 78% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Limit in?
The Limit by Patrick Topping is in E minor, or 9A on the Camelot wheel.
What BPM is The Limit?
The Limit runs at 129 BPM, a peak-time tempo track.
What mixes well with The Limit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The Limit good for peak time?
With energy 95 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 129 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
