Metal Master - Spectrum (Bart Skils & Weska Reinterpretation)
- Key
- 8B · C major
- BPM
- 129
- Open Key
- 1d
- Energy
- 92/100
- Pop
- 27/100
- Length
- 4:10
- Released
- 2022
- Genre
- Techno
- Loudness
- -8.1 dB
- ISRC
- DEQ202200038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in C major (8B), Metal Master - Spectrum (Bart Skils & Weska Reinterpretation) is a peak-time tempo techno production. It reads as dark and driving. The mix is almost entirely instrumental. Better known than 95% of Sven Väth's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Sven Väth's catalogue
- Brightness:
- darker than 79% of Sven Väth's catalogue
- Groove:
- less groove-driven than 77% of Sven Väth's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Metal Master - Spectrum (Bart Skils & Weska Reinterpretation) in?
Metal Master - Spectrum (Bart Skils & Weska Reinterpretation) by Sven Väth is in C major, or 8B on the Camelot wheel.
What BPM is Metal Master - Spectrum (Bart Skils & Weska Reinterpretation)?
Metal Master - Spectrum (Bart Skils & Weska Reinterpretation) runs at 129 BPM, a peak-time tempo track.
What mixes well with Metal Master - Spectrum (Bart Skils & Weska Reinterpretation)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Metal Master - Spectrum (Bart Skils & Weska Reinterpretation) good for peak time?
With energy 92 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 129 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Sven Väth
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.