Feiern - Radio Edit
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 65/100
- Pop
- 32/100
- Length
- 3:51
- Released
- 2021
- Album
- Feiern
- Genre
- Techno
- Label
- Cocoon Recordings
- Loudness
- -9.9 dB
- Dynamics
- 11.3 dB
- ISRC
- DEQ202100008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feiern - Original Mixoriginal3A · 128
- Feiern (Original Mix)original8B · 135
- Feiern - Dubversion10A · 128
Against the original (3A at 128 BPM), this version holds the same tempo and moves the key from 3A to 11B.
At 128 BPM in A major (11B), Feiern - Radio Edit is a peak-time tempo techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 97% of Sven Väth's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 80% of Sven Väth's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Feiern - Radio Edit in?
Feiern - Radio Edit by Sven Väth is in A major, or 11B on the Camelot wheel.
What BPM is Feiern - Radio Edit?
Feiern - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Feiern - Radio Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Feiern - Radio Edit good for peak time?
With energy 65 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Sven Väth
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
