Solo (Part One)
- BPM
- 129
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 9/100
- Length
- 6:16
- Released
- 2016
- Genre
- Techno
- Loudness
- -7.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solo (Part One)original10A · 129
- Solo (Part Two)original9B · 136
Solo (Part One): peak-time tempo techno, B minor (10A), 129 BPM. It reads as dark and driving. A 2016 production that still circulates in sets. Slower than 89% of Setaoc Mass's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 75% of Setaoc Mass's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Solo (Part One) in?
Solo (Part One) by Setaoc Mass is in B minor, or 10A on the Camelot wheel.
What BPM is Solo (Part One)?
Solo (Part One) runs at 129 BPM, a peak-time tempo track.
What mixes well with Solo (Part One)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Solo (Part One) good for peak time?
With energy 91 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 129 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Setaoc Mass
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
