Love Divine by Sub Focus cover art

Love Divine

Sub Focus

30s preview

Key
6A · G minor
BPM
130
Open Key
11m
Energy
98/100
Pop
0/100
Length
4:41
Released
2016
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
11.3 dB
ISRC
GBUM71606230

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 130 BPM in G minor (6A), Love Divine is a peak-time tempo drum n bass production. Tonally it lands dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 91% of Sub Focus's catalogue
Low end:
more treble-tilted than 89% of Sub Focus's catalogue
Tempo:
slower than 85% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood12Dark
Groove63
Acoustic0
Instrumental67
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Love Divine in?

Love Divine by Sub Focus is in G minor, or 6A on the Camelot wheel.

What BPM is Love Divine?

Love Divine runs at 130 BPM, a peak-time tempo track.

What mixes well with Love Divine?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Love Divine good for peak time?

With energy 98 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More drum n bass

More from Sub Focus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track