I Live In Camberwell
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 5/100
- Length
- 7:32
- Released
- 2000
- Album
- Camberwell
- Genre
- House
- Loudness
- -5.0 dB
- Dynamics
- 19.4 dB
- ISRC
- GBEHB0400071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Live in Camberwelloriginal10B · 130
I Live In Camberwell runs 130 BPM in D major (10B), a peak-time tempo house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). A 2000 production that still circulates in sets. More treble-tilted than 79% of Basement Jaxx's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 77% of Basement Jaxx's catalogue
- Reach:
- better known than 77% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I Live In Camberwell in?
I Live In Camberwell by Basement Jaxx is in D major, or 10B on the Camelot wheel.
What BPM is I Live In Camberwell?
I Live In Camberwell runs at 130 BPM, a peak-time tempo track.
What mixes well with I Live In Camberwell?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is I Live In Camberwell good for peak time?
With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
