Tribal Badman by Ben Sterling cover art

Tribal Badman

Ben Sterling

30s preview

Key
2B · F♯ major
BPM
130
Open Key
7d
Energy
85/100
Pop
32/100
Length
3:32
Released
2024
Genre
Tech House
Loudness
-9.2 dB
Dynamics
14.3 dB
ISRC
US38Y2413746

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Tribal Badman is a peak-time tempo tech house track in F♯ major (2B) at 130 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 89% of Ben Sterling's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 86% of Ben Sterling's catalogue
Groove:
less groove-driven than 86% of Ben Sterling's catalogue
Low end:
more treble-tilted than 78% of Ben Sterling's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood57Balanced
Groove78
Acoustic0
Instrumental63
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Tribal Badman in?

Tribal Badman by Ben Sterling is in F♯ major, or 2B on the Camelot wheel.

What BPM is Tribal Badman?

Tribal Badman runs at 130 BPM, a peak-time tempo track.

What mixes well with Tribal Badman?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Tribal Badman good for peak time?

With energy 85 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 130 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More tech house

#Track

More from Ben Sterling

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track