Lost In Sound - Extended Mix
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 27/100
- Length
- 4:43
- Released
- 2025
- Album
- Lost In Sound
- Genre
- Techno
- Loudness
- -5.7 dB
- Dynamics
- 10.0 dB
- ISRC
- GBHAD2500011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost In Soundoriginal4B · 130
Against the original (4B at 130 BPM), this version holds the same tempo and moves the key from 4B to 10B.
A peak-time tempo techno cut, Lost In Sound - Extended Mix sits in D major (10B) at 130 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 91% of Alan Fitzpatrick's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 76% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Lost In Sound - Extended Mix in?
Lost In Sound - Extended Mix by Alan Fitzpatrick is in D major, or 10B on the Camelot wheel.
What BPM is Lost In Sound - Extended Mix?
Lost In Sound - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Lost In Sound - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Lost In Sound - Extended Mix good for peak time?
With energy 85 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
