Do It To It - Sub Focus Remix
30s preview
- Key
- 9B · G major
- BPM
- 174
- Half-time
- 87
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 49/100
- Length
- 3:14
- Released
- 2022
- Album
- Do It To It (Sub Focus Remix)
- Genre
- Drum N Bass
- Label
- Thrive Music
- Loudness
- -0.6 dB
- Dynamics
- 11.0 dB
- ISRC
- QZFPL2100155
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Do It To It - Tiësto Remixremix10B · 125
- Do It To It - Subtronics Remixremix11B · 72
- Do It To It - Habstrakt Remixremix10A · 126
- Do It To It - Andrew Rayel Remixremix10A · 138
- Do It To Itoriginal10A · 125
- Do It To Itoriginal10A · 125
Against the original (10A at 125 BPM), this version runs 49 BPM faster and moves the key from 10A to 9B.
At 174 BPM in G major (9B), Do It To It - Sub Focus Remix is a drum n bass production. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 98% of ACRAZE's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- hotter than 91% of ACRAZE's catalogue
- Brightness:
- darker than 87% of ACRAZE's catalogue
- Reach:
- better known than 82% of ACRAZE's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Do It To It - Sub Focus Remix in?
Do It To It - Sub Focus Remix by ACRAZE is in G major, or 9B on the Camelot wheel.
What BPM is Do It To It - Sub Focus Remix?
Do It To It - Sub Focus Remix runs at 174 BPM.
What mixes well with Do It To It - Sub Focus Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Do It To It - Sub Focus Remix good for peak time?
With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from ACRAZE
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
