places to be - CLIPZ remix
30s preview
- Key
- 6A · G minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 11m
- Energy
- 99/100
- Pop
- 1/100
- Length
- 3:05
- Released
- 2022
- Album
- USB
- Genre
- Uk Garage
- Label
- Warner Music UK Ltd.
- Loudness
- -3.4 dB
- Dynamics
- 11.5 dB
- ISRC
- GBAHS2400489
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- places to beoriginal6B · 174
- places to be (feat. chika) - Eagle Rock, 16th April 2024original6A · 174
- places to be (MESSIE remix)remix10B · 174
Against the original (6B at 174 BPM), this version holds the same tempo and moves the key from 6B to 6A.
At 174 BPM in G minor (6A), places to be - CLIPZ remix is an uk garage production. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 99% of Fred again's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 94% of Fred again's catalogue
- Brightness:
- brighter than 94% of Fred again's catalogue
- Reach:
- more underground than 82% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is places to be - CLIPZ remix in?
places to be - CLIPZ remix by Fred again is in G minor, or 6A on the Camelot wheel.
What BPM is places to be - CLIPZ remix?
places to be - CLIPZ remix runs at 174 BPM.
What mixes well with places to be - CLIPZ remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is places to be - CLIPZ remix good for peak time?
With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More uk garage
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
