Writing a Song (original mix) by Deborah de Luca cover art

Writing a Song (original mix)

Deborah de Luca

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
66/100
Pop
13/100
Length
7:01
Released
2019
Genre
Techno
Loudness
-10.9 dB
Dynamics
9.9 dB
ISRC
GBKQU1983048

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Writing a Song (original mix) runs 126 BPM in D♭ major (3B), a club-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 79% of Deborah de Luca's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 77% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood31Dark
Groove75
Acoustic0
Instrumental82
Live19
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Writing a Song (original mix) in?

Writing a Song (original mix) by Deborah de Luca is in D♭ major, or 3B on the Camelot wheel.

What BPM is Writing a Song (original mix)?

Writing a Song (original mix) runs at 126 BPM, a club-tempo track.

What mixes well with Writing a Song (original mix)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Writing a Song (original mix) good for peak time?

With energy 66 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track