See You Next Tuesday
30s preview
- BPM
- 126
- Open Key
- 6m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 9:45
- Released
- 2014
- Genre
- Techno
- Loudness
- -11.3 dB
- Dynamics
- 9.6 dB
- ISRC
- DEAA21400004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- See You Next Tuesdayoriginal1A · 126
- See You Next Tuesday - Black Asteroid Remixremix10A · 127
- See You Next Tuesday - Danny Tenaglia's Return to Twilo Mixoriginal3A · 123
- See You Next Tuesday - Deep Moodoriginal4B · 125
- See You Next Tuesday - Raxon Remixremix3B · 125
- See You Next Tuesday - Solardo Remixremix9B · 125
See You Next Tuesday runs 126 BPM in A♭ minor (1A), a club-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 89% of Carl Cox's catalogue
- Brightness:
- darker than 87% of Carl Cox's catalogue
- Tempo:
- slower than 77% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is See You Next Tuesday in?
See You Next Tuesday by Carl Cox is in A♭ minor, or 1A on the Camelot wheel.
What BPM is See You Next Tuesday?
See You Next Tuesday runs at 126 BPM, a club-tempo track.
What mixes well with See You Next Tuesday?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is See You Next Tuesday good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
