All Night
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 69/100
- Pop
- 1/100
- Length
- 6:55
- Released
- 2010
- Album
- All Day
- Genre
- Techno
- Loudness
- -6.1 dB
- Dynamics
- 13.5 dB
- ISRC
- NLR341010002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in D♭ minor (12A), All Night is a club-tempo techno production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Slower than 97% of Bart Skils's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 96% of Bart Skils's catalogue
- Energy:
- calmer than 88% of Bart Skils's catalogue
- Groove:
- groovier than 80% of Bart Skils's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is All Night in?
All Night by Bart Skils is in D♭ minor, or 12A on the Camelot wheel.
What BPM is All Night?
All Night runs at 126 BPM, a club-tempo track.
What mixes well with All Night?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is All Night good for peak time?
With energy 69 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Bart Skils
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
