
Tick Tick - James Harcourt Remix
- BPM
- 126
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2008
- Album
- Tick Tick
- Genre
- Progressive House
- Loudness
- -7.5 dB
- ISRC
- GBHCD2102165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tick Tickoriginal2B · 125
- Tick Tick - Barry Jamieson Remixremix1A · 125
- Tick Tick - Original Mixoriginal2B · 125
Against the original (2B at 125 BPM), this version runs 1 BPM faster in the same key.
A club-tempo progressive house cut, Tick Tick - James Harcourt Remix sits in F♯ major (2B) at 126 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Quivver's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 76% of Quivver's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tick Tick - James Harcourt Remix in?
Tick Tick - James Harcourt Remix by Quivver is in F♯ major, or 2B on the Camelot wheel.
What BPM is Tick Tick - James Harcourt Remix?
Tick Tick - James Harcourt Remix runs at 126 BPM, a club-tempo track.
What mixes well with Tick Tick - James Harcourt Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Tick Tick - James Harcourt Remix good for peak time?
With energy 69 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Quivver
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.