Floating on the Surface
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 79/100
- Pop
- 27/100
- Length
- 4:02
- Released
- 2025
- Album
- Into Thin Air EP
- Genre
- Progressive House
- Label
- Anjunadeep Explorations
- Loudness
- -7.5 dB
- Dynamics
- 10.7 dB
- ISRC
- GBEWA2500772
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Floating on the Surface - Extended Mixversion3B · 130
Floating on the Surface is a peak-time tempo progressive house track in D♭ major (3B) at 130 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 95% of Quivver's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 95% of Quivver's catalogue
- Groove:
- less groove-driven than 92% of Quivver's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Floating on the Surface in?
Floating on the Surface by Quivver is in D♭ major, or 3B on the Camelot wheel.
What BPM is Floating on the Surface?
Floating on the Surface runs at 130 BPM, a peak-time tempo track.
What mixes well with Floating on the Surface?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Floating on the Surface good for peak time?
With energy 79 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Quivver
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
