Into Thin Air
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 32/100
- Length
- 3:48
- Released
- 2025
- Album
- Into Thin Air EP
- Genre
- Progressive House
- Label
- Anjunadeep Explorations
- Loudness
- -6.9 dB
- Dynamics
- 11.7 dB
- ISRC
- GBEWA2500770
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Into Thin Air - Extended Mixversion3B · 128
At 128 BPM in F minor (4A), Into Thin Air is a peak-time tempo progressive house production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 97% of Quivver's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Quivver's catalogue
- Energy:
- hotter than 90% of Quivver's catalogue
- Tempo:
- faster than 86% of Quivver's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Into Thin Air in?
Into Thin Air by Quivver is in F minor, or 4A on the Camelot wheel.
What BPM is Into Thin Air?
Into Thin Air runs at 128 BPM, a peak-time tempo track.
What mixes well with Into Thin Air?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Into Thin Air good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Niton [The Reason] - Extended Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
