Obsidian - David Call Remix
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2008
- Album
- Obsidian - EP
- Genre
- Tech House
- Loudness
- -8.2 dB
- ISRC
- USA290812494
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Obsidian - Christopher Norman's Arrowhead Reruboriginal11A · 130
- Obsidian - Original Mixoriginal1B · 126
- Obsidian - Rasmus Remixremix1B · 126
Against the original (11A at 130 BPM), this version runs 4 BPM slower and moves the key from 11A to 1B.
A club-tempo tech house cut, Obsidian - David Call Remix sits in B major (1B) at 126 BPM. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Anthony Attalla's catalogue.
- Brightness:
- brighter than 98% of Anthony Attalla's catalogue
- Energy:
- calmer than 93% of Anthony Attalla's catalogue
- Groove:
- less groove-driven than 77% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Obsidian - David Call Remix in?
Obsidian - David Call Remix by Anthony Attalla is in B major, or 1B on the Camelot wheel.
What BPM is Obsidian - David Call Remix?
Obsidian - David Call Remix runs at 126 BPM, a club-tempo track.
What mixes well with Obsidian - David Call Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Obsidian - David Call Remix good for peak time?
With energy 70 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
