Shade - Timmo Remix
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 69/100
- Pop
- 4/100
- Length
- 7:12
- Released
- 2014
- Album
- Shade
- Genre
- Techno
- Loudness
- -9.2 dB
- Dynamics
- 8.8 dB
- ISRC
- ATDB31400021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shade - Original Mixoriginal3B · 126
- Shade - Mattew Jay Remixremix10B · 125
- Shade - MiniCoolBoyz Remixremix8B · 126
Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 10A.
A club-tempo techno cut, Shade - Timmo Remix sits in B minor (10A) at 126 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More bass-heavy than 96% of Sam Paganini's catalogue.
- Brightness:
- brighter than 80% of Sam Paganini's catalogue
- Energy:
- calmer than 79% of Sam Paganini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Shade - Timmo Remix in?
Shade - Timmo Remix by Sam Paganini is in B minor, or 10A on the Camelot wheel.
What BPM is Shade - Timmo Remix?
Shade - Timmo Remix runs at 126 BPM, a club-tempo track.
What mixes well with Shade - Timmo Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Shade - Timmo Remix good for peak time?
With energy 69 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Sam Paganini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
