Deep End
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 84/100
- Pop
- 23/100
- Length
- 2:36
- Released
- 2020
- Album
- Deep End (Black V Neck Remix)
- Genre
- House
- Label
- Defected
- Loudness
- -7.7 dB
- Dynamics
- 14.9 dB
- ISRC
- GBCPZ2017641
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deep End (SIDEPIECE extended remix)remix10A · 126
- Deep End - SIDEPIECE Remixremix10A · 126
- Deep End - Black V Neck Remixremix9B · 123
- Deep End - Black V Neck Extended Remixremix9B · 123
- Deep End - Extended Mixversion10A · 126
Deep End: club-tempo house, D♭ minor (12A), 126 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Brighter than 92% of John Summit's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Deep End in?
Deep End by John Summit is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Deep End?
Deep End runs at 126 BPM, a club-tempo track.
What mixes well with Deep End?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Deep End good for peak time?
With energy 84 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
