Mr. No One - Original Mix
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 1/100
- Length
- 6:36
- Released
- 2013
- Album
- Mr. No One Ep
- Genre
- Techno
- Loudness
- -4.9 dB
- ISRC
- USLZJ1665497
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr. No One - Khainz Remixremix4B · 126
- Mr. No One - Konstantin Yoodza Remixremix11B · 126
Mr. No One - Original Mix runs 126 BPM in C major (8B), a club-tempo techno record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Brighter than 98% of Balthazar & JackRock's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 96% of Balthazar & JackRock's catalogue
- Tempo:
- slower than 87% of Balthazar & JackRock's catalogue
- Energy:
- calmer than 86% of Balthazar & JackRock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mr. No One - Original Mix in?
Mr. No One - Original Mix by Balthazar & JackRock is in C major, or 8B on the Camelot wheel.
What BPM is Mr. No One - Original Mix?
Mr. No One - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Mr. No One - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Mr. No One - Original Mix good for peak time?
With energy 68 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Balthazar & JackRock
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
