Mr. No One - Konstantin Yoodza Remix
- BPM
- 126
- Open Key
- 4d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2013
- Album
- Mr. No One Ep
- Genre
- Techno
- Loudness
- -9.5 dB
- ISRC
- USLZJ1665498
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr. No One - Original Mixoriginal8B · 126
- Mr. No One - Khainz Remixremix4B · 126
Against the original (8B at 126 BPM), this version holds the same tempo and moves the key from 8B to 11B.
At 126 BPM in A major (11B), Mr. No One - Konstantin Yoodza Remix is a club-tempo techno production. The feel is balanced in mood. A 2013 production that still circulates in sets. Groovier than 99% of Balthazar & JackRock's catalogue.
- Reach:
- more underground than 99% of Balthazar & JackRock's catalogue
- Energy:
- calmer than 98% of Balthazar & JackRock's catalogue
- Tempo:
- slower than 87% of Balthazar & JackRock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mr. No One - Konstantin Yoodza Remix in?
Mr. No One - Konstantin Yoodza Remix by Balthazar & JackRock is in A major, or 11B on the Camelot wheel.
What BPM is Mr. No One - Konstantin Yoodza Remix?
Mr. No One - Konstantin Yoodza Remix runs at 126 BPM, a club-tempo track.
What mixes well with Mr. No One - Konstantin Yoodza Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Mr. No One - Konstantin Yoodza Remix good for peak time?
With energy 52 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Balthazar & JackRock
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.