Somebody to Love - Third Party Remix
30s preview
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 62/100
- Pop
- 1/100
- Length
- 5:58
- Released
- 2012
- Album
- Somebody to Love
- Genre
- Progressive House
- Loudness
- -7.1 dB
- Dynamics
- 14.0 dB
- ISRC
- CH3131200336
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Somebody to Love - Dberrie Remixremix10A · 128
- Somebody to Love - Original Mixoriginal9B · 126
- Somebody to Love - Paris & Simo Remixremix10B · 128
- Somebody to Love - Radio Mixversion9B · 126
Against the original (9B at 126 BPM), this version holds the same tempo and moves the key from 9B to 9A.
A club-tempo progressive house cut, Somebody to Love - Third Party Remix sits in E minor (9A) at 126 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More treble-tilted than 96% of Sultan + Shepard's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 88% of Sultan + Shepard's catalogue
- Groove:
- groovier than 78% of Sultan + Shepard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Somebody to Love - Third Party Remix in?
Somebody to Love - Third Party Remix by Sultan + Shepard is in E minor, or 9A on the Camelot wheel.
What BPM is Somebody to Love - Third Party Remix?
Somebody to Love - Third Party Remix runs at 126 BPM, a club-tempo track.
What mixes well with Somebody to Love - Third Party Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Somebody to Love - Third Party Remix good for peak time?
With energy 62 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Sultan + Shepard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
