Somebody to Love - Radio Mix
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 3:56
- Released
- 2012
- Album
- Somebody to Love
- Genre
- Progressive House
- Loudness
- -5.1 dB
- Dynamics
- 11.2 dB
- ISRC
- CH3131200335
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Somebody to Love - Third Party Remixremix9A · 126
- Somebody to Love - Dberrie Remixremix10A · 128
- Somebody to Love - Original Mixoriginal9B · 126
- Somebody to Love - Paris & Simo Remixremix10B · 128
Against the original (9B at 126 BPM), this version holds the same tempo in the same key.
Somebody to Love - Radio Mix runs 126 BPM in G major (9B), a club-tempo progressive house record. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Less groove-driven than 99% of Sultan + Shepard's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Sultan + Shepard's catalogue
- Low end:
- more treble-tilted than 97% of Sultan + Shepard's catalogue
- Energy:
- calmer than 88% of Sultan + Shepard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Somebody to Love - Radio Mix in?
Somebody to Love - Radio Mix by Sultan + Shepard is in G major, or 9B on the Camelot wheel.
What BPM is Somebody to Love - Radio Mix?
Somebody to Love - Radio Mix runs at 126 BPM, a club-tempo track.
What mixes well with Somebody to Love - Radio Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Somebody to Love - Radio Mix good for peak time?
With energy 62 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Sultan + Shepard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
