Come And Play by Damian Lazarus cover art

Come And Play

Damian Lazarus

Key
8A · A minor
BPM
126
Open Key
1m
Energy
61/100
Pop
0/100
Length
7:37
Released
2009
Genre
Tech House
Loudness
-10.3 dB
ISRC
DEBE71000053

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in A minor (8A), Come And Play is a club-tempo tech house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Damian Lazarus's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 82% of Damian Lazarus's catalogue
Tempo:
faster than 76% of Damian Lazarus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood57Balanced
Groove72
Acoustic0
Instrumental83
Live69
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Come And Play in?

Come And Play by Damian Lazarus is in A minor, or 8A on the Camelot wheel.

What BPM is Come And Play?

Come And Play runs at 126 BPM, a club-tempo track.

What mixes well with Come And Play?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Come And Play good for peak time?

With energy 61 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Damian Lazarus

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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