Somebody to Love - Dberrie Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2012
- Album
- Somebody to Love
- Genre
- Progressive House
- Loudness
- -4.3 dB
- Dynamics
- 12.8 dB
- ISRC
- CH3131200338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Somebody to Love - Third Party Remixremix9A · 126
- Somebody to Love - Original Mixoriginal9B · 126
- Somebody to Love - Paris & Simo Remixremix10B · 128
- Somebody to Love - Radio Mixversion9B · 126
Against the original (9B at 126 BPM), this version runs 2 BPM faster and moves the key from 9B to 10A.
Somebody to Love - Dberrie Remix is a peak-time tempo progressive house track in B minor (10A) at 128 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Sultan + Shepard's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 93% of Sultan + Shepard's catalogue
- Tempo:
- faster than 87% of Sultan + Shepard's catalogue
- Low end:
- more treble-tilted than 80% of Sultan + Shepard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Somebody to Love - Dberrie Remix in?
Somebody to Love - Dberrie Remix by Sultan + Shepard is in B minor, or 10A on the Camelot wheel.
What BPM is Somebody to Love - Dberrie Remix?
Somebody to Love - Dberrie Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Somebody to Love - Dberrie Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Somebody to Love - Dberrie Remix good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Sultan + Shepard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
