Seems So Far - Radio Edit
- BPM
- 128
- Open Key
- 7d
- Energy
- 96/100
- Pop
- 7/100
- Length
- 3:57
- Released
- 2010
- Album
- The Collection (1999-2006)
- Genre
- House
- Loudness
- -7.8 dB
- ISRC
- FRZIN0999243
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seems So Faroriginal2A · 128
- Seems So Far - Junior Sanchez New Jersey Tech Mixoriginal12A · 131
- Seems So Far - Phunky Data Remixremix3A · 128
Against the original (2A at 128 BPM), this version holds the same tempo and moves the key from 2A to 2B.
A peak-time tempo house cut, Seems So Far - Radio Edit sits in F♯ major (2B) at 128 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. Hotter than 91% of Sébastien Léger's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Sébastien Léger's catalogue
- Brightness:
- brighter than 88% of Sébastien Léger's catalogue
- Tempo:
- faster than 81% of Sébastien Léger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seems So Far - Radio Edit in?
Seems So Far - Radio Edit by Sébastien Léger is in F♯ major, or 2B on the Camelot wheel.
What BPM is Seems So Far - Radio Edit?
Seems So Far - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Seems So Far - Radio Edit?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Seems So Far - Radio Edit good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Sébastien Léger
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
