Cirriforms - Original Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:55
- Released
- 2007
- Album
- The Coming Storm
- Genre
- Techno
- Label
- Sino
- Loudness
- -9.2 dB
- Dynamics
- 11.5 dB
- ISRC
- HKC550700058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Cirriforms - Original Mix: peak-time tempo techno, D♭ major (3B), 128 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of Christian Smith's catalogue
- Brightness:
- brighter than 96% of Christian Smith's catalogue
- Low end:
- more treble-tilted than 82% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Cirriforms - Original Mix in?
Cirriforms - Original Mix by Christian Smith is in D♭ major, or 3B on the Camelot wheel.
What BPM is Cirriforms - Original Mix?
Cirriforms - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Cirriforms - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Cirriforms - Original Mix good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
