Dance of the Comets
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2017
- Genre
- Techno
- Loudness
- -6.6 dB
- Dynamics
- 10.6 dB
- ISRC
- GBR8R1700238
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dance of the Comets runs 128 BPM in A major (11B), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Terence Fixmer's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 97% of Terence Fixmer's catalogue
- Brightness:
- brighter than 88% of Terence Fixmer's catalogue
- Groove:
- groovier than 79% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dance of the Comets in?
Dance of the Comets by Terence Fixmer is in A major, or 11B on the Camelot wheel.
What BPM is Dance of the Comets?
Dance of the Comets runs at 128 BPM, a peak-time tempo track.
What mixes well with Dance of the Comets?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Dance of the Comets good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Terence Fixmer
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.