Santiago - Hernan Cattaneo & Martin Garcia remix
30s preview
- BPM
- 128
- Open Key
- 6m
- Energy
- 98/100
- Pop
- 6/100
- Length
- 9:39
- Released
- 2005
- Album
- Santiago (Hernan Cattaneo & Martin Garcia remix)
- Genre
- Progressive House
- Loudness
- -6.5 dB
- Dynamics
- 14.2 dB
- ISRC
- GBEPM0500326
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Santiago - Cristina Lazic Remixremix2B · 128
- Santiago - Bedrock St James mixoriginal3A · 128
- Santiago - Parallel Sound editversion4B · 130
- Santiago - Bedrock's La Coruna mixoriginal3A · 126
- Santiago - Sinca Remixremix4B · 125
- Santiago - Guy Gerber's Hotrod mixoriginal7B · 130
Against the original (3A at 128 BPM), this version holds the same tempo and moves the key from 3A to 1A.
Santiago - Hernan Cattaneo & Martin Garcia remix runs 128 BPM in A♭ minor (1A), a peak-time tempo progressive house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Hotter than 97% of John Digweed's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Santiago - Hernan Cattaneo & Martin Garcia remix in?
Santiago - Hernan Cattaneo & Martin Garcia remix by John Digweed is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Santiago - Hernan Cattaneo & Martin Garcia remix?
Santiago - Hernan Cattaneo & Martin Garcia remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Santiago - Hernan Cattaneo & Martin Garcia remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Santiago - Hernan Cattaneo & Martin Garcia remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
