Money Gun - Radio Edit
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 100/100
- Pop
- 5/100
- Length
- 3:02
- Released
- 2025
- Album
- Money Gun / Private Shots
- Genre
- Tech House
- Loudness
- -4.3 dB
- Dynamics
- 9.3 dB
- ISRC
- QMPLY2500025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Money Gun - Radio Edit sits in D♭ minor (12A) at 128 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 99% of Anthony Attalla's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 94% of Anthony Attalla's catalogue
- Reach:
- better known than 91% of Anthony Attalla's catalogue
- Tempo:
- faster than 87% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Money Gun - Radio Edit in?
Money Gun - Radio Edit by Anthony Attalla is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Money Gun - Radio Edit?
Money Gun - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Money Gun - Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Money Gun - Radio Edit good for peak time?
With energy 100 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
