Let Wa Gan - Edit
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:58
- Released
- 2019
- Album
- Turbo Time
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 18.0 dB
- ISRC
- GBJX31963011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let Wa Ganoriginal6A · 128
- Let Wa Ganoriginal6A · 128
Against the original (6A at 128 BPM), this version holds the same tempo in the same key.
Let Wa Gan - Edit runs 128 BPM in G minor (6A), a peak-time tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Patrick Topping's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of Patrick Topping's catalogue
- Energy:
- hotter than 91% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 25%
- High
- 2.5-11 kHz
FAQ
What key is Let Wa Gan - Edit in?
Let Wa Gan - Edit by Patrick Topping is in G minor, or 6A on the Camelot wheel.
What BPM is Let Wa Gan - Edit?
Let Wa Gan - Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Let Wa Gan - Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Let Wa Gan - Edit good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
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How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
