You Are The One
30s preview
- BPM
- 129
- Open Key
- 11d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 7:49
- Released
- 1996
- Genre
- Acid
- Loudness
- -9.4 dB
- Dynamics
- 16.5 dB
- ISRC
- USNRS1026987
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Are The One runs 129 BPM in B♭ major (6B), a peak-time tempo acid record. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 1996 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 97% of Josh Wink's catalogue
- Brightness:
- brighter than 78% of Josh Wink's catalogue
- Groove:
- groovier than 77% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is You Are The One in?
You Are The One by Josh Wink is in B♭ major, or 6B on the Camelot wheel.
What BPM is You Are The One?
You Are The One runs at 129 BPM, a peak-time tempo track.
What mixes well with You Are The One?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is You Are The One good for peak time?
With energy 99 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 129 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
