Day 3
30s preview
- Key
- 6A · G minor
- BPM
- 130
- Open Key
- 11m
- Energy
- 98/100
- Pop
- 21/100
- Length
- 6:25
- Released
- 2014
- Genre
- House
- Loudness
- -5.0 dB
- Dynamics
- 10.2 dB
- ISRC
- GBVHV0800417
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Day 3 sits in G minor (6A) at 130 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Hotter than 93% of Bicep's catalogue.
- Brightness:
- brighter than 78% of Bicep's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Day 3 in?
Day 3 by Bicep is in G minor, or 6A on the Camelot wheel.
What BPM is Day 3?
Day 3 runs at 130 BPM, a peak-time tempo track.
What mixes well with Day 3?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Day 3 good for peak time?
With energy 98 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Bicep
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
