Lagos by Eli Brown cover art

30s preview

Key
12A · D♭ minor
BPM
130
Open Key
5m
Energy
98/100
Pop
5/100
Length
6:29
Released
2017
Genre
Techno
Loudness
-5.3 dB
Dynamics
12.4 dB
ISRC
GB8PY1700115

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 130 BPM in D♭ minor (12A), Lagos is a peak-time tempo techno production. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Hotter than 87% of Eli Brown's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 79% of Eli Brown's catalogue
Groove:
less groove-driven than 76% of Eli Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood47Balanced
Groove65
Acoustic0
Instrumental65
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Lagos in?

Lagos by Eli Brown is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Lagos?

Lagos runs at 130 BPM, a peak-time tempo track.

What mixes well with Lagos?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Lagos good for peak time?

With energy 98 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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